Sculpture 2016


Year 2 of Fine Art, Dublin School of Creative Arts, Dublin




About "This"

"He begins to jot down a diagram on a piece of paper to explain the maths of it all and begins to go into detail of the generative process but soon cuts himself off. “It sounds much more boring than it actually is, it’s very thrilling,” he says with an air of excitement in his voice. I ask if the essentially infinite possibilities that generative music can create is where the thrill lies. “Yes. It’s this very nice combination of making something…” he stops himself and sparks up an analogy, which I soon find out he does quite frequently. “It’s a little bit like gardening – I always say the difference between classical and contemporary music is the difference between architecture and gardening. With architecture you know in advance what you’re going to get, you specify it all, it’s all written down and drawn out and it is brought into existence. With gardening it’s not really like that. What you have to do is put together some elements that you are kind of familiar with and watch what happens to them and how this garden turns out compared to that garden is dependent on a whole lot of factors and it needs observation; you have to pay attention to it… Another thing I would say is that you don’t finish a piece of music like this, you start it. You bring it into the world and then it has its own life.”
Read full Interview with Brian Eno

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